Part I, Essay XVIII
Essays, Moral, Political, and Literary
Part I, Essay XVII
In vain, by pompous phrase and passionate expression, each recommends his own pursuit, and invites the credulous hearers to an imitation of his life and manners. The heart belies the countenance, and sensibly feels, even amid the highest success, the unsatisfactory nature of all those pleasures, which detain it from its true object. I examine the voluptuous man before enjoyment; I measure the vehemence of his desire, and the importance of his object; I find that all his happiness proceeds only from that hurry of thought, which takes him from himself, and turns his view from his guilt and misery. I consider him a moment after; he has now enjoyed the pleasure, which he fondly sought after. The sense of his guilt and misery returns upon him with double anguish: His mind tormented with fear and remorse; his body depressed with disgust and satiety.
But a more august, at least a more haughty personage, presents himself boldly to our censure; and assuming the title of a philosopher and man of morals, offers to submit to the most rigid examination. He challenges, with a visible, though concealed impatience, our approbation and applause; and seems offended, that we should hesitate a moment before we break out into admiration of his virtue. Seeing this impatience, I hesitate still more: I begin to examine the motives of his seeming virtue: But behold! ere I can enter upon this enquiry, he flings himself from me; and addressing his discourse to that crowd of heedless auditors, fondly abuses them by his magnificent pretensions.
O philosopher! thy wisdom is vain, and thy virtue unprofitable. Thou seekest the ignorant applauses of men, not the solid reflections of thy own conscience, or the more solid approbation of that being, who, with one regard of his all-seeing eye, penetrates the universe. Thou surely art conscious of the hollowness of thy pretended probity, whilst calling thyself a citizen, a son, a friend, thou forgettest thy higher sovereign, thy true father, thy greatest benefactor. Where is the adoration due to infinite perfection, whence every thing good and valuable is derived? Where is the gratitude, owing to thy creator, who called thee forth from nothing, who placed thee in all these relations to thy fellow-creatures, and requiring thee to fulfil the duty of each relation, forbids thee to neglect what thou owest to himself, the most perfect being, to whom thou art connected by the closest tye?
But thou art thyself thy own idol: Thou worshippest thy imaginary perfections: Or rather, sensible of thy real imperfections, thou seekest only to deceive the world, and to please thy fancy, by multiplying thy ignorant admirers. Thus, not content with neglecting what is most excellent in the universe, thou desirest to substitute in his place what is most vile and contemptible.
Consider all the works of mens hands; all the inventions of human wit, in which thou affectest so nice a discernment: Thou wilt find, that the most perfect production still proceeds from the most perfect thought, and that it is MIND alone, which we admire, while we bestow our applause on the graces of a well-proportioned statue, or the symmetry of a noble pile.° The statuary, the architect comes still in view, and makes us reflect on the beauty of his art and contrivance, which, from a heap of unformed matter, could extract such expressions and proportions. This superior beauty of thought and intelligence thou thyself acknowledgest, while thou invitest us to contemplate, in thy conduct, the harmony of affections, the dignity of sentiments, and all those graces of a mind, which chiefly merit our attention. But why stoppest thou short? Seest thou nothing farther that is valuable? Amid thy rapturous applauses of beauty and order, art thou still ignorant where is to be found the most consummate beauty? the most perfect order? Compare the works of art with those of nature. The one are but imitations of the other. The nearer art approaches to nature, the more perfect is it esteemed. But still, how wide are its nearest approaches, and what an immense interval may be observed between them? Art copies only the outside of nature, leaving the inward and more admirable springs and principles; as exceeding her imitation; as beyond her comprehension. Art copies only the minute productions of nature, despairing to reach that grandeur and magnificence, which are so astonishing in the masterly works of her original. Can we then be so blind as not to discover an intelligence and a design in the exquisite and most stupendous contrivance of the universe? Can we be so stupid as not to feel the warmest raptures of worship and adoration, upon the contemplation of that intelligent being, so infinitely good and wise?
The most perfect happiness, surely, must arise from the contemplation of the most perfect object. But what more perfect than beauty and virtue? And where is beauty to be found equal to that of the universe? Or virtue, which can be compared to the benevolence and justice of the Deity? If aught can diminish the pleasure of this contemplation, it must be either the narrowness of our faculties, which conceals from us the greatest part of these beauties and perfections; or the shortness of our lives, which allows not time sufficient to instruct us in them. But it is our comfort, that, if we employ worthily the faculties here assigned us, they will be enlarged in another state of existence, so as to render us more suitable worshippers of our maker: And that the task, which can never be finished in time, will be the business of an eternity.
Notes for this chapter
Or, the man of contemplation, and philosophical devotion.
Part I, Essay XVIII
End of Notes
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